Category: Amp

Goldmund Mimesis Statement: Three-Chassis Flagship Preamplifier with Independent Power Supplies

Goldmund Mimesis Statement

Swiss high-end audio manufacturer Goldmund has introduced the Mimesis Statement, its new flagship analog preamplifier featuring a three-chassis architecture that separates the main preamplifier from two dedicated external power supply units. Designed to maximize channel isolation and signal integrity, the Mimesis Statement incorporates fully symmetrical circuitry, a new volume control system, and an extensively redesigned power supply architecture.

Unveiled in October 2026 at Goldmund’s headquarters in Geneva, the Mimesis Statement represents a comprehensive rethinking of the company’s analog preamplifier design. Its technical specifications include a frequency response extending from 0.2Hz to 1.5MHz, extremely low distortion figures, and a signal-to-noise ratio exceeding 130dB. With a reported US price of $240,000, it occupies the uppermost tier of the ultra-high-end audio market.

Three-Chassis Architecture with Dedicated Power Supplies

The defining feature of the Mimesis Statement is its unusual three-chassis configuration. While conventional preamplifiers typically integrate their power supply within the main enclosure or employ a single external power supply, Goldmund has adopted two completely separate power supply units, each dedicated to one audio channel.

The main chassis houses the preamplification circuitry, while the external units independently supply power to the left and right channels. This physical separation is intended to reduce unwanted electrical interaction between channels and provide stable, low-noise operating conditions for the sensitive analog circuitry.

A fully symmetrical internal architecture complements the independent power supplies. According to Goldmund, the combination of physical separation and symmetrical circuit design improves channel isolation while minimizing interference along the signal path.

The approach reflects the importance of power supply quality in high-end preamplification. Since a preamplifier handles relatively low-level signals before passing them to a power amplifier, suppressing power supply noise and unwanted electrical coupling is a fundamental design consideration.

New Discrete Voltage Regulation and Audio Circuitry

Goldmund has developed a new generation of power supply electronics for the Mimesis Statement, building upon its established discrete regulation principles. The revised architecture introduces additional voltage regulation stages designed to improve noise rejection and maintain stable operating conditions for the audio circuitry.

The main preamplifier chassis also contains a newly developed audio board featuring a redesigned circuit architecture and volume control management system. Proprietary internal wiring has been introduced to reduce unwanted interactions between signal paths, while optimized heat dissipation helps maintain consistent operating conditions.

These developments form part of a broader engineering approach that considers power delivery, signal management, electrical interference, and thermal stability as interconnected aspects of preamplifier performance.

Rather than emphasizing additional digital functions or integrated streaming capabilities, Goldmund has focused the Mimesis Statement on the precision of analog signal processing.

Ultra-Wideband Frequency Response Extending to 1.5MHz

One of the most striking specifications of the Mimesis Statement is its exceptionally wide frequency response. Goldmund specifies a bandwidth of 0.2Hz to 1.5MHz within ±3dB, extending far beyond the conventional audible range of approximately 20Hz to 20kHz.

Such wideband performance reflects Goldmund’s longstanding emphasis on signal accuracy and transient response. Extending an amplifier’s bandwidth beyond the audible spectrum can support favorable phase behavior within the audio band, although an extremely wide frequency response does not automatically guarantee superior audible performance.

The published distortion measurements are similarly ambitious. Total harmonic distortion plus noise (THD+N) is specified at 0.0002%, while intermodulation distortion plus noise (IMD+N) is rated at 0.0006%. Both figures are measured using the unbalanced input-to-output signal path.

The signal-to-noise ratio exceeds 130dB through the line input, rising above 138dB with A-weighting.

Together, these figures illustrate the engineering priorities behind the Mimesis Statement: low noise, minimal distortion, broad frequency response, and precise analog signal transfer.

Extensive Analog Connectivity and Power Amplifier Integration

The Mimesis Statement offers a comprehensive selection of analog connections for high-end systems. Its input configuration includes four RCA connections and three balanced XLR inputs, with additional RCA connection options depending on configuration.

Output connectivity includes three sets of XLR/RCA outputs alongside dedicated tape outputs, allowing the preamplifier to accommodate various amplification and recording arrangements.

Goldmund has also introduced two independent trigger outputs capable of switching between 0V and 12V. These connections allow the Mimesis Statement to control the operating state of two compatible power amplifiers simultaneously.

This feature is particularly relevant when the preamplifier is paired with Goldmund’s high-end monoblock amplifiers, including the Telos 9800. In such a system, the Mimesis Statement can serve as the central control component, coordinating the operation of a complete amplification chain.

Unlike preamplifiers designed around integrated DACs, streaming platforms, or network playback, the Mimesis Statement maintains a dedicated analog architecture centered on signal integrity and system control.

A New Design Language Shared with the Telos 9800

The exterior of the Mimesis Statement continues Goldmund’s tradition of restrained geometric design while introducing several distinctive visual elements.

The front panel incorporates a new glass-covered display and metal-coated controls. A fine recessed gold line extends across all three chassis, visually unifying the components despite their deliberately separated functions.

This design language establishes a clear relationship with Goldmund’s Telos 9800 flagship monoblock power amplifier, reinforcing the identity of the company’s latest statement-level amplification system.

The three-chassis arrangement also gives the Mimesis Statement a particularly imposing physical presence, emphasizing the extent to which its internal architecture has been separated into dedicated functional units.

Together with the Telos 9800, the new preamplifier represents Goldmund’s continuing efforts to advance its flagship amplification technology through revised circuit design, power supply engineering, and mechanical construction.

Specifications

Specification	Goldmund Mimesis Statement
Product Type	Flagship Analog Preamplifier
Architecture	Three-Chassis
Power Supplies	Two Independent External Units
Channel Configuration	Fully Symmetrical
Power Regulation	Multi-Stage Discrete Voltage Regulation
Volume Control	Newly Developed Volume Management System
Frequency Response	0.2Hz–1.5MHz (±3dB)
THD+N	0.0002%
IMD+N	0.0006%
Signal-to-Noise Ratio	Greater than 130dB
A-Weighted S/N Ratio	Greater than 138dB
RCA Inputs	4 Standard Connections
Balanced Inputs	3 XLR
Analog Outputs	3 XLR/RCA Output Sets, Tape Outputs
Trigger Outputs	2 × 0V/12V
Reported US Price	$240,000
Announcement	October 2026

The Goldmund Mimesis Statement has been reported at a US price of $240,000. UK pricing has varied between published reports, while the manufacturer’s initial announcement does not specify an official retail price or a definitive release date. Availability and pricing in individual markets remain subject to confirmation.

The Mimesis Statement represents an unusually uncompromising approach to analog preamplification. By dedicating separate external power supplies to each channel and combining them with symmetrical circuitry, advanced voltage regulation, and exceptionally wide bandwidth, Goldmund has concentrated its engineering resources on the fundamental requirements of signal integrity.

Although its price places it firmly within a highly exclusive segment of the audio market, the Mimesis Statement offers an interesting example of how far manufacturers are prepared to extend power supply isolation, circuit architecture, and mechanical construction in pursuit of high-fidelity analog reproduction.

Source : Goldmund https://goldmund.com/preamplifiers-collection/mimesis-statement-preamplifier/

2026년 October 21일

Accuphase E-6000 Brings 260W Output and Enhanced Power Supply to Its Flagship Integrated Amplifier

Accuphase E-6000

Japanese high-end audio manufacturer Accuphase has introduced the E-6000, its new flagship Class AB integrated amplifier. Succeeding the E-5000, which debuted in 2021 to mark the company’s 50th anniversary, the E-6000 incorporates an expanded output stage, an upgraded power supply, and refinements to its preamplifier circuitry. Delivering 260 watts per channel into 8 ohms, it is the most powerful integrated amplifier Accuphase has produced to date.

The E-6000 represents the company’s continued pursuit of separate-component performance within a single chassis. By combining substantial power reserves with precision analog volume control and low-noise circuitry, Accuphase aims to provide the authority required to drive large loudspeakers while maintaining the refinement associated with its high-end amplification designs. The amplifier was announced in September 2026, with Japanese availability beginning in mid-October.

Six-Parallel Push-Pull Output Stage Delivers 260 Watts

The most significant development in the E-6000 is its redesigned power amplifier section. Accuphase has expanded the output stage from the five-parallel push-pull configuration used in the E-5000 to a six-parallel arrangement, increasing rated output from 240 to 260 watts per channel into 8 ohms. Power output into 4 ohms rises from 320 to 350 watts per channel.

The output stage employs bipolar power transistors operating in Class AB. Distributing the output current across multiple parallel devices reduces the electrical demands placed on individual transistors while providing the current delivery and operating stability required for high-power amplification.

The amplifier also incorporates an instrumentation amplifier configuration, maintaining balanced signal transmission throughout the amplification path. Accuphase’s established Current Feedback amplification topology is employed to achieve favorable phase characteristics and stable high-frequency performance.

These improvements are intended to provide greater dynamic headroom and more consistent performance when driving loudspeakers with demanding impedance characteristics. Rather than focusing solely on maximum output, the design emphasizes stable power delivery under varying musical and electrical loads.

Balanced AAVA Volume Control with ANCC Technology

The preamplifier section features Accuphase’s proprietary Balanced AAVA (Accuphase Analog Vari-gain Amplifier) volume control system. Unlike conventional volume controls that adjust signal level through variable resistance or attenuation, AAVA converts the incoming audio signal into current and controls volume through combinations of precisely weighted amplifier circuits.

The E-6000 builds upon the Balanced AAVA architecture of its predecessor by incorporating ANCC (Accuphase Noise and Distortion Cancelling Circuit). This proprietary technology is designed to suppress noise and distortion generated within the volume control circuitry, contributing to improved signal purity.

Accuphase has also revised the circuit configuration and grounding layout to further reduce noise in the preamplifier section. Particular attention has been given to preserving low-level musical information, even at the moderate listening volumes commonly used in domestic environments.

The physical volume control mechanism incorporates a high-rigidity sensor assembly machined from a solid aluminum block. It combines the smooth, substantial operating feel associated with traditional analog controls with the precision of Accuphase’s electronically managed volume adjustment system.

Upgraded Power Supply with Larger Toroidal Transformer

To support its increased output capability, the E-6000 features a substantially reinforced power supply. A newly designed, high-efficiency toroidal transformer works alongside large-capacity filtering capacitors to provide stable power under demanding operating conditions.

The total filtering capacitance has increased from two 40,000μF capacitors in the E-5000 to two 47,000μF capacitors in the E-6000. This represents a 17.5% increase in capacitance, providing greater energy storage capacity and helping reduce supply voltage fluctuations during demanding musical passages.

Accuphase has also focused on minimizing impedance throughout the speaker output path. The protection circuitry uses highly reliable, low-resistance MOSFET switches rather than conventional mechanical relay contacts, reducing resistance in the signal path while maintaining protection against potentially damaging operating conditions.

The E-6000 achieves a damping factor of 1,000, matching its predecessor. A high damping factor reflects low amplifier output impedance, which can help maintain consistent output voltage under changing loudspeaker loads and limit the influence of back electromotive force from speaker drivers.

Actual bass control and system performance, however, also depend on loudspeaker characteristics, cabling, and the listening environment.

Separate-Component Design Philosophy in a Single Chassis

Although the E-6000 combines preamplifier and power amplifier functions within a single enclosure, its internal architecture reflects Accuphase’s approach to separate-component design. Fully balanced signal transmission is maintained from input to output, while the arrangement of amplification stages and power supply components is optimized to minimize unwanted interaction.

Connectivity includes five RCA line-level inputs and two balanced XLR inputs. Two sets of speaker terminals can be selected independently or operated simultaneously, allowing the amplifier to accommodate different loudspeaker configurations.

A dedicated headphone amplifier built around discrete circuitry is also included, providing a separate amplification stage for personal listening.

Modular expandability remains an important feature. Two rear-panel expansion slots accommodate optional boards, including the DAC-60 digital input board and AD-60 phono equalizer board. These options allow owners to integrate digital sources or a turntable directly into the amplifier without requiring additional external components.

The exterior retains Accuphase’s distinctive champagne-gold front panel and large illuminated analog power meters. To accommodate the reinforced internal construction, the chassis is 10mm taller than that of the E-5000, while overall weight has increased from 33.8kg to 38.6kg.

E-6000 vs. E-5000: Refining an Established Architecture

Rather than introducing an entirely new amplification philosophy, the E-6000 develops the architecture established by its predecessor. Both models employ Class AB amplification, Balanced AAVA volume control, fully balanced signal paths, and a damping factor of 1,000.

The principal differences lie in the expanded output stage, increased power supply capacity, and the addition of ANCC technology to the preamplifier section. Although the increase in rated power is relatively modest, the combination of electrical and circuit-level refinements represents a broader effort to improve overall amplifier performance.

Specification	E-6000	E-5000
Introduction	2026	2021
Amplification Class	Class AB	Class AB
Output Stage	Six-parallel push-pull	Five-parallel push-pull
Power Output (8Ω)	260W × 2	240W × 2
Power Output (4Ω)	350W × 2	320W × 2
Volume Control	Balanced AAVA + ANCC	Balanced AAVA
Filter Capacitors	47,000μF × 2	40,000μF × 2
Damping Factor	1,000	1,000
Dimensions (W×H×D)	465 × 221 × 502mm	465 × 211 × 502mm
Weight	38.6kg	33.8kg
Japanese Launch Price	¥1,265,000	¥1,045,000

The E-6000 demonstrates Accuphase’s continued commitment to high-power Class AB amplification at a time when integrated amplifiers increasingly incorporate digital streaming, DACs, and other functions as standard equipment. Its emphasis remains firmly on analog amplification quality, electrical stability, and long-term system flexibility.

Specifications

Specification	Accuphase E-6000
Type	Precision Integrated Stereo Amplifier
Amplification Class	Class AB
Output Stage	Six-parallel push-pull bipolar transistors
Rated Output (8Ω)	260W × 2
Rated Output (4Ω)	350W × 2
Volume Control	Balanced AAVA with ANCC
Signal Architecture	Fully balanced
Damping Factor	1,000
Power Transformer	High-efficiency toroidal transformer
Filter Capacitors	47,000μF × 2
Analog Inputs	5 RCA, 2 balanced XLR
Speaker Outputs	2 sets
Expansion Slots	2
Optional Digital Board	DAC-60
Optional Phono Board	AD-60
Headphone Output	Dedicated discrete amplifier
Dimensions (W×H×D)	465 × 221 × 502mm
Weight	38.6kg
Japanese Price	¥1,265,000 (including tax)
Availability	Mid-October 2026 (Japan)

The Accuphase E-6000 carries a Japanese retail price of ¥1,265,000, including tax. Availability and pricing in international markets will depend on local distribution arrangements.

Source : Accuphase https://www.accuphase.com/model/e-6000.html

2026년 October 20일

NAD C 359S and C 569 Bring BluOS Streaming and CD Playback to the Classic Series
NAD C 359S & C 569

NAD has expanded its Classic Series with two new components: the C 359S integrated amplifier and C 569 CD player. The two products follow a familiar NAD formula on the outside, but combine it with updated streaming, digital processing and system-integration features.

The C 359S pairs Class AB amplification with built-in BluOS, HDMI eARC and subwoofer management, while the C 569 is a dedicated CD player using modern digital processing and ESS Sabre conversion.

NAD C359S

C 359S Returns to Class AB

One of the most interesting aspects of the C 359S is its use of Class AB amplification.

Recent NAD Classic Series models such as the C 3050, C 379, C 389 and C 399 have leaned heavily on Class D technology. The C 359S takes a different route, delivering 70 watts per channel into 8 ohms and 120 watts per channel into 4 ohms from a Class AB output stage.

That does not mean NAD has returned to a fully traditional power-supply design. The amplifier uses a high-current, low-noise switch-mode power supply derived from technologies developed for the company’s higher-end Masters Series.

In other words, the output stage is Class AB, while the power supply remains modern and compact.

NAD C359S

BluOS, HDMI eARC and Phono in One Chassis

The C 359S includes BluOS as standard, allowing it to function as a complete network streaming amplifier without an external streamer.

It also supports HDMI eARC for direct TV connection, aptX HD Bluetooth and a phono input.

That makes the C 359S more than a conventional integrated amplifier. It can act as a combined streaming hub, DAC and TV-audio interface while retaining traditional analogue connectivity and front-panel controls.

NAD has also kept a physical headphone output and a conventional remote-control interface, maintaining the straightforward usability associated with the Classic Series.

Proper Bass Management for 2.1 Systems

Another notable feature is the C 359S’s subwoofer integration.

Rather than simply offering a subwoofer output, NAD also provides an optional high-pass filter for the main loudspeakers.

That allows low frequencies to be redirected to the subwoofer while reducing the workload on the main speakers and amplifier.

For users building a compact 2.1-channel system around bookshelf speakers, that can make integration considerably more flexible than a basic line-level subwoofer output.

NAD C 569

NAD C 569

C 569 Brings New Digital Processing to CD Playback

The C 569 is positioned between the C 538 and C 589 in NAD’s CD-player lineup.

It uses DDH, or Dynamic Digital Headroom, to reduce the risk of intersample clipping during digital processing, while QRONO d2a is designed to improve time-domain behaviour and digital filtering.

The DAC section uses an ESS Sabre converter, with revised analogue output and power-supply sections.

Digital outputs are also provided, allowing the C 569 to be used as a transport with an external DAC.

NAD describes the player as part of its “Music First” approach, prioritising tonal balance and long-term listenability rather than simply chasing higher numerical specifications.

Streaming and Physical Media Side by Side

Taken together, the C 359S and C 569 reveal how NAD is approaching the modern Classic Series.

On one side, the C 359S integrates BluOS, HDMI and wireless connectivity into a traditional stereo amplifier. On the other, the company is still investing in a dedicated CD player with updated digital processing.

That combination reflects the reality of many current hi-fi systems, where streaming and physical media are not necessarily competing formats.

The C 359S is a modern network amplifier with a traditional Class AB output stage, while the C 569 brings newer digital technology to a familiar physical format.

Key Specifications

NAD C 359S
- Type: BluOS streaming integrated amplifier
- Amplification: Class AB
- Power output: 70W ×2 into 8 ohms
- Power output: 120W ×2 into 4 ohms
- Power supply: High-current, low-noise switch-mode design
- Streaming: BluOS
- Hi-res playback: Up to 24-bit/192kHz
- HDMI: eARC
- Bluetooth: aptX HD
- Phono input: Yes
- Subwoofer output: Yes
- Main-speaker high-pass filter: Yes
- UK price: £1,099
- European price: €1,199
- Availability: October 2026
NAD C 569
- Type: CD player
- DAC: ESS Sabre
- Digital processing: DDH / QRONO d2a
- CD-Text: Supported
- Analogue output: Yes
- Digital output: Yes
- External DAC use: Supported
- UK price: £749
- European price: €949
- Availability: Late November 2026
Source : NAD Electronics
https://nadelectronics.com/blogs/news/nad-expands-its-classic-series-with-the-c-359s-and-c-569-cd
2026년 October 20일
Yamaha R200A Refreshes the Entry-Level Stereo Receiver After a Decade
Yamaha R200A

Yamaha has introduced the R200A, a new two-channel stereo receiver designed to replace the long-running R-S202. Rated at 100 watts per channel into 8 ohms, the R200A combines an MM phono input, subwoofer output, Bluetooth Multipoint and A/B speaker switching in a straightforward entry-level hi-fi package.

Priced at $299.95 in the U.S., the R200A is scheduled to go on sale in November 2026.

A Traditional Stereo Receiver in a Streaming-Heavy Market

Unlike Yamaha’s network-focused receivers, the R200A does not revolve around Wi-Fi, integrated streaming services or HDMI connectivity. Instead, it follows a more traditional stereo receiver formula built around turntables, analog sources, radio and Bluetooth playback.

The amplifier is rated at 100 watts per channel into 8 ohms, with A/B speaker outputs allowing two pairs of speakers to be connected. A dedicated subwoofer output is also included for users who want to expand a conventional stereo setup into a 2.1-channel system.

Yamaha has also revised the speaker terminals with new binding posts intended to provide a more secure connection.

Revised Chassis and Grounding Design

Yamaha R200A is not simply a feature update to the R-S202. Yamaha says the new model uses a redesigned center-beam chassis structure intended to reduce unwanted vibration and improve signal integrity.

The company has also revised the grounding layout, component selection and heat-sink design. According to Yamaha, these changes are intended to bring more of the brand’s traditional hi-fi engineering approach into its entry-level receiver range, with greater emphasis on dynamics and spatial presentation.

Phono Input and Bluetooth Multipoint

A built-in MM phono input allows a turntable to be connected directly without the need for an external phono stage. Bluetooth Multipoint is also supported, allowing two Bluetooth source devices to remain paired and making it easier to switch between them.

An integrated AM/FM tuner provides storage for up to 40 station presets.

Rather than trying to include every modern streaming feature, the R200A focuses on the core functions needed for a simple two-channel music system built around vinyl, legacy source components, radio and wireless playback from a phone or tablet.

The Successor to the R-S202

The R200A officially replaces Yamaha’s R-S202, which has served as one of the company’s most accessible stereo receivers for roughly a decade.

That makes the new model more significant than a routine product refresh. While Yamaha’s higher-end R-N series continues to emphasize MusicCast, network streaming and high-resolution playback, the R200A takes a deliberately simpler route.

For listeners who do not need integrated network streaming, it offers a relatively direct way to build a traditional stereo system around a turntable, source component and passive speakers.

The Yamaha R200A will be available in black and silver finishes, priced at $299.95 in the U.S., with availability scheduled for November 2026. International pricing and availability have yet to be announced.

Yamaha R200A – Key Specifications
- Type: Two-channel stereo receiver
- Power output: 100W × 2 into 8 ohms
- Phono input: MM
- Wireless connectivity: Bluetooth Multipoint
- Tuner: AM/FM, 40 station presets
- Speaker outputs: A/B
- Subwoofer output: Yes
- Speaker terminals: Binding posts
- Finishes: Black / Silver
- U.S. price: $299.95
- Availability: November 2026
Source: https://www.prnewswire.com/news-releases/yamaha-launches-a-new-generation-stereo-receiver-with-the-r200a-302895093.html
2026년 October 2일
ESOTERIC F-Series Goes Black with F-01, F-02 and PS-01F Black Editions
Esoteric F-01, F-02 Black Editions

ESOTERIC has added new Black Edition versions of the F-01 and F-02 integrated amplifiers, together with a matching PS-01F external power supply. These are not new-generation models with revised circuitry or higher output figures. Instead, the existing F-Series architecture is retained while the exterior is reworked with a black anodized finish and matching surface treatment.

The F-Series sits near the top of ESOTERIC’s integrated amplifier lineup, bringing technologies developed for the company’s Grandioso X Edition components into a single-chassis design. The F-01 focuses on Class A operation, while the F-02 delivers significantly higher power from the same broader platform.

Class A F-01 and Higher-Power F-02

The F-01 Black Edition delivers 30W per channel into 8 ohms and 60W into 4 ohms in Class A operation.

The F-02 Black Edition increases output to 120W per channel into 8 ohms and 240W into 4 ohms.

Both models use bipolar output transistors in a three-parallel push-pull configuration and employ dual-mono rectification and smoothing stages for the left and right channels.

Power is supplied by a 940VA EI-core transformer, with four 10,000μF capacitors per channel used in the smoothing stage. The two amplifiers share the same 445 x 191 x 471mm chassis, with the F-01 weighing 32.2kg and the F-02 32.4kg.

Preamplifier Design Derived from Grandioso C1X

The preamplifier section in both models draws on technology developed for ESOTERIC’s Grandioso C1X.

A fully balanced dual-mono topology is used, with three ES-Link Analog / XLR inputs alongside conventional RCA inputs. Volume control is handled by ESOTERIC’s UFA-1792 Ultra Fidelity Attenuator, which provides extremely fine adjustment, including up to 1,120 steps when the preamp gain is set to +12dB.

The amplifiers also include a dual-mono MM/MC phono stage, a 4-pin XLR balanced headphone output and a 6.3mm single-ended headphone output.

Preamp outputs are provided via ES-Link Analog and XLR, allowing the F-Series amplifiers to be integrated into larger systems with external power amplifiers if required.

Matching PS-01F Black Edition External Power Supply

The matching PS-01F Black Edition is designed to power the preamplifier section of either the F-01 or F-02 independently from the amplifier’s main internal supply.

Inside is a 200VA toroidal transformer and a pair of 27,200μF smoothing capacitors. The unit connects to the amplifier using a dedicated DC cable.

ESOTERIC positions the concept as being related to the separate-power-supply architecture used in the Grandioso C1X, isolating the preamplifier circuitry from the main amplifier power stage.

As with the amplifiers, the Black Edition version does not introduce a new electrical design. Its purpose is to provide a visually matched external supply for the black F-Series components.

A Finish Update Rather Than a Circuit Revision

The key point with the new Black Editions is appearance rather than circuit development.

The F-01 and F-02 retain the same core architecture and specifications as the current F-Series models first introduced in 2023. The new versions extend ESOTERIC’s black-finish option into the company’s upper-level integrated amplifier lineup.

ESOTERIC has already offered black-finish versions of selected digital components such as the K-01XD SE and K-03XD SE. Adding the F-Series amplifiers and PS-01F makes it possible to build a more visually consistent all-black ESOTERIC system from source component to amplification.

The F-01 Black Edition, F-02 Black Edition and PS-01F Black Edition are scheduled to become available worldwide from October 2026.

Key Specifications

ESOTERIC F-01 Black Edition
- Type: Class A integrated amplifier
- Output: 30W + 30W into 8 ohms
- Output: 60W + 60W into 4 ohms
- Power transformer: 940VA EI-core
- Smoothing capacitors: 10,000μF x 4 per channel
- Inputs: ES-Link Analog / XLR x 3, RCA x 3, MM/MC phono x 1
- Pre-out: ES-Link Analog x 1, XLR x 1
- Headphone outputs: 4-pin XLR / 6.3mm
- Dimensions: 445 x 191 x 471mm
- Weight: 32.2kg
ESOTERIC F-02 Black Edition
- Type: Integrated amplifier
- Output: 120W + 120W into 8 ohms
- Output: 240W + 240W into 4 ohms
- Power transformer: 940VA EI-core
- Smoothing capacitors: 10,000μF x 4 per channel
- Inputs and preamplifier architecture: same as F-01
- Dimensions: 445 x 191 x 471mm
- Weight: 32.4kg
ESOTERIC PS-01F Black Edition
- Purpose: External power supply for F-01 / F-02 preamplifier section
- Power transformer: 200VA toroidal
- Smoothing capacitors: 27,200μF x 2
- Dimensions: 146 x 128 x 353mm
- Weight: 7kg
- Dedicated DC cable included
Official Press : https://www.esoteric.jp/en/support/news/748
2026년 October 1일
TIDAL x BUGATTI MA1 Debuts as a 1,500W Reference Monoblock

TIDAL x BUGATTI MA1

Three 1,000VA toroidal transformers, 800,000µF of power-supply capacitance and a 110kg chassis define TIDAL’s new flagship amplifier

TIDAL Audio has unveiled the TIDAL x BUGATTI MA1, a new reference monoblock power amplifier developed in collaboration with Bugatti. Positioned as the successor to the Assoluta Monobloc, the MA1 joins the TIDAL x BUGATTI Royale collection and represents the latest expression of TIDAL’s flagship amplification platform.

Rather than functioning as a cosmetic collaboration, the MA1 is built around a very large linear power supply, high-current output capability and an extensively engineered mechanical structure. Each channel uses a dedicated monoblock chassis.

420W Into 8 Ohms, 1,500W Into 2 Ohms

The MA1 is rated at 420W into 8 ohms, 840W into 4 ohms and 1,500W into 2 ohms.

That near-doubling of output as impedance falls is intended to provide substantial current delivery for demanding loudspeaker loads. TIDAL specifies a frequency response extending from 1Hz to more than 250kHz at -0.5dB.

The power supply uses three 1,000VA toroidal transformers, with magnetic shielding and mechanical decoupling. The two amplification modules are fed by linear power supplies, while total stabilized capacitance reaches 800,000µF.

TIDAL says the supply is designed to maintain stable voltage and current delivery under heavy transient loads while minimizing ripple and noise.

Symmetrical Architecture and DC-Coupled Signal Path

The MA1 uses a symmetrical circuit topology with actively regulated power supplies.

Its signal path is DC-coupled from input to output, with no coupling capacitors or relays placed directly in the audio path. Low-impedance capacitors are positioned close to the output devices to keep signal and power paths short.

The multilayer circuit boards use 105µm copper on each layer, while output transistors are individually measured and matched to within 1 percent.

The design emphasis is therefore not only on maximum power, but also on maintaining consistent operating conditions, low impedance and high current capability throughout the amplifier.

Protection Outside the Audio Signal Path

TIDAL’s APM, or Amplifier Protection Management, operates outside the direct signal path.

The system continuously monitors current relative to output voltage, short-circuit conditions, DC offset, undervoltage and overvoltage. A soft-start system is also included to control the initial current surge from the large power supply.

When used with compatible TIDAL preamplifiers, the MA1 can also be remotely powered through an RJ45 Ethernet connection. Standby consumption is specified at less than 1W.

110kg Chassis with Bugatti Customization

The MA1 measures 690 × 520 × 410mm and weighs 110kg per amplifier.

Its chassis uses large aluminum structures and internal bracing intended to improve mechanical rigidity and control resonance. As part of the TIDAL x BUGATTI series, buyers can also specify customized exterior colors and decorative insert materials.

The version shown at launch combines high-gloss carbon fiber with a high-gloss Midnight Blue finish, while the Bugatti emblem is integrated into the upper surface.

TIDAL’s New Flagship Power Amplifier

The collaboration between TIDAL and Bugatti began with the Royale loudspeaker project in 2020. Since then, the two companies have continued to develop products around the idea of bespoke ultra-high-end engineering across both automotive and audio design.

The MA1 extends that partnership further into electronics while also serving as a new reference amplifier within TIDAL’s own lineup.

Its combination of 420W into 8 ohms, 1,500W into 2 ohms, 3,000VA of transformer capacity and 800,000µF of power-supply capacitance makes low-impedance drive capability one of the defining technical themes of the design.

Pricing and detailed availability for the TIDAL x BUGATTI MA1 have not yet been announced.

Tidal Audio Official Website: https://www.tidal-audio.com/ma1/

2026년 September 15일
Marantz MCR 60n Combines CD, Streaming and HDMI in a Compact Hi-Fi System

Marantz MCR 60n

Marantz has introduced the new MCR 60n, a compact all-in-one hi-fi system combining a CD player, HEOS network streaming, HDMI eARC, MM phono input and Bluetooth in a single chassis.

Rather than operating simply as a traditional mini system, the MCR 60n expands the format for modern listening. It supports high-resolution network playback, Roon Ready integration, AirPlay 2, subwoofer output, bi-amping and Speaker A/B operation, making it suitable for users who want to connect a TV, turntable, CD collection and streaming services to one compact system.

CD and Streaming in One Compact Component

At the heart of the MCR 60n is a slot-loading CD player combined with HEOS-based network streaming.

The unit supports CD and CD-R/RW playback, including discs containing MP3 and WMA files. Through HEOS, users can access major streaming services, while Spotify Connect, TIDAL, AirPlay 2 and internet radio are also supported.

Roon Ready compatibility allows the MCR 60n to be integrated into systems built around Roon for managing local music libraries and streaming services.

Marantz is positioning the MCR 60n as a compact solution for listeners who want to combine multiple source formats without building a system from several separate components.

Up to 32-bit/384kHz PCM and DSD 11.2MHz

High-resolution playback support is extensive for a system of this size.

Through USB and network playback, the MCR 60n supports PCM files up to 32-bit/384kHz and DSD up to 11.2MHz.

Supported lossless formats include FLAC, WAV and ALAC, while gapless playback is available with formats including FLAC, WAV and DSD.

HEOS also enables multi-room playback with other compatible Marantz and HEOS products, allowing several rooms to be controlled from a single app.

65W per Channel into 4 Ohms

The built-in amplifier delivers 65W per channel into 4 ohms, for a total rated output of 130W across two channels.

The MCR 60n provides Speaker A/B outputs and supports bi-amping with compatible loudspeakers.

A subwoofer pre-out and Main Pre Out are also included, allowing the system to be expanded with a subwoofer or external power amplifier rather than being limited to a basic two-channel configuration.

HDMI eARC Connects the TV

The MCR 60n also addresses the growing role of television in modern two-channel audio systems.

An HDMI eARC input allows TV audio to be sent directly to the Marantz, making it possible to use conventional passive loudspeakers for television, movies and gaming without requiring an AV receiver or soundbar.

Optical digital and analog inputs are also provided, alongside Bluetooth wireless playback and Bluetooth headphone transmission.

This makes the MCR 60n suitable not only for music listening but also as the central audio hub for a living-room entertainment system.

MM Phono Input for Turntables

Analog sources remain part of the design.

The MCR 60n includes an MM phono input, allowing a compatible turntable to be connected without requiring a separate phono preamplifier.

The phono input is specified at 2.5mV/47kΩ with a signal-to-noise ratio of 74dB.

By including both CD and vinyl alongside network streaming and TV connectivity, Marantz is clearly targeting listeners who continue to use physical media while also adopting modern streaming services.

Dirac Live Upgrade Support

One of the more notable features of the MCR 60n is support for an optional Dirac Live upgrade.

Room correction is still relatively unusual in compact CD-based systems, and its inclusion gives users the ability to address the interaction between loudspeakers and the listening room more directly.

Combined with subwoofer output, bi-amping and Speaker A/B operation, Dirac Live support gives the MCR 60n greater system flexibility than its compact dimensions might initially suggest.

A Modern Interpretation of the Compact Hi-Fi System

Marantz has a long history of compact CD receiver systems, including its Melody series.

The MCR 60n continues that tradition while updating the concept for current listening habits by adding high-resolution network streaming, Roon, HDMI eARC, phono connectivity and room-correction capability.

While many modern all-in-one systems have moved almost entirely toward streaming, the MCR 60n retains both CD and vinyl connectivity while adding contemporary network-audio functions.

That combination should make it particularly appealing to listeners who want to keep existing physical media collections while simplifying their overall system.

US Price Set at $1,000

The Marantz MCR 60n is priced at $1,000 in the United States.

The US model is offered in black, while selected markets also receive an MCR 60n DAB version with DAB/DAB+ radio and a choice of Black or Champagne Gold finishes.

The chassis measures approximately 280 × 303 × 111mm and weighs around 4.2kg.

With CD playback, turntable support, streaming, TV connectivity and amplification integrated into one compact chassis, the MCR 60n represents Marantz’s modern interpretation of the traditional compact hi-fi system.

Official Site : https://www.marantz.com/en/product/network-audio-players/mcr-60n/MCR60NDAB.html

2026년 September 10일
Naim Expands CI-Uniti 102 Beyond Custom Installation with New Accessory Pack

Naim Audio has introduced a new Accessory Pack for the CI-Uniti 102 streaming amplifier, making the compact custom-installation model easier to use in a conventional home audio environment.

The CI-Uniti 102 was originally developed for rack-mounted and professional installation applications, but the new accessory package adds a dedicated remote control and four feet, allowing the unit to sit naturally on a shelf or hi-fi rack.

Although the accessory package itself is simple, the announcement is more significant because it broadens the role of the CI-Uniti 102 beyond the custom-installation market and positions it more clearly as a compact streaming amplifier for domestic hi-fi systems.

Bringing the CI-Uniti 102 Out of the Rack

The CI-Uniti 102 is part of Naim’s CI Series and was designed from the outset for professional installers and integrated home-audio systems.

Its compact chassis measures approximately 30cm wide, 30cm deep and 4.45cm high, making it particularly suitable for technical racks, multi-room systems and installations built around Focal in-wall or in-ceiling loudspeakers.

The new Accessory Pack allows the CI-Uniti 102 to move beyond that environment and be used more like a conventional hi-fi component in a living room or dedicated listening space.

The package includes four dedicated feet and a remote control. The feet allow the amplifier to be placed securely on furniture or a hi-fi rack while maintaining airflow underneath the chassis.

Dedicated Remote for Conventional Hi-Fi Use

The CI-Uniti 102 was originally intended to be controlled primarily through the Focal & Naim app or integrated automation platforms such as Crestron, Control4, RTI, Savant and Elan.

The remote control included with the Accessory Pack gives users a more direct way to operate the unit without relying on a smartphone, tablet or home-automation controller.

Key functions such as volume, mute and presets can be accessed directly, making the CI-Uniti 102 feel much closer to a traditional integrated amplifier in everyday use.

150W Streaming Amplifier with HDMI eARC and Dante

The CI-Uniti 102 itself offers specifications that are highly competitive with dedicated home streaming amplifiers.

Its built-in power amplifier delivers 150W per channel into 8 ohms and 260W per channel into 4 ohms, with THD+N specified at below 0.006%.

The unit supports streaming up to 32-bit/384kHz and includes Gigabit Ethernet and Wi-Fi 6 connectivity.

Supported services and protocols include Apple AirPlay 2, Chromecast, Qobuz, Spotify Connect, TIDAL, UPnP and internet radio.

Inputs include HDMI eARC, S/PDIF, RCA analog and Bluetooth, while Dante network audio reception is also supported.

In addition to speaker outputs, the CI-Uniti 102 provides independent stereo RCA Main and Sub/Aux outputs, and the system can be expanded with Naim CI-NAP 108 or CI-NAP 101 power amplifiers.

2.1 System Configuration Through the Focal & Naim App

The CI-Uniti 102 can also be configured for domestic systems through the Focal & Naim app.

The Home mode provides a four-band EQ and allows crossover settings to be configured between the Main and Aux outputs.

This makes it possible to build a 2.1-channel system using a pair of main loudspeakers and a subwoofer without requiring an external crossover processor.

Naim particularly emphasizes integration with Focal loudspeakers, but the CI-Uniti 102 can also be used with conventional passive speakers, making its potential applications broader than its original custom-installation positioning might suggest.

From Custom-Installation Uniti to Domestic Streaming Amplifier

The most interesting aspect of the Accessory Pack is not the addition of feet and a remote control, but the change in how Naim is positioning the CI-Uniti 102.

The product was originally designed without a traditional front-panel display or conventional volume control, reflecting its professional installation origins.

However, with 150W per channel into 8 ohms, HDMI eARC, Wi-Fi 6, Dante, extensive streaming support and flexible 2.1-channel configuration, the CI-Uniti 102 already has many of the features expected from a modern domestic streaming amplifier.

The new Accessory Pack makes those capabilities more accessible to users who do not need a professionally integrated control system.

Rather than creating an entirely new Uniti model, Naim is effectively extending an existing CI platform into the conventional home-audio market.

A Small Accessory with a Broader Purpose

With the Accessory Pack, Naim is giving the CI-Uniti 102 a role that extends beyond technical racks and custom-installation systems.

By retaining its professional integration features while adding a remote control and conventional desktop installation, the CI-Uniti 102 now sits more naturally between custom-installation electronics and traditional hi-fi streaming amplifiers.

It is a relatively small hardware addition, but one that significantly broadens how and where the CI-Uniti 102 can be used.

Official Site : https://www.naimaudio.com/products/ci-uniti-102-accessory-pack

2026년 September 9일
Majority Launches Fitzwilliam Hi-Fi Series with Spotify Lossless Support

British audio brand Majority has launched the new Fitzwilliam hi-fi series, combining CD playback, network streaming and traditional full-width component design. The range consists of three models: the Fitzwilliam CD, Fitzwilliam AMP and Fitzwilliam CD AMP.

All three models support Spotify Lossless via Spotify Connect. With Spotify now offering lossless streaming at up to 24-bit/44.1kHz, the Fitzwilliam range brings lossless playback into a much more affordable hi-fi segment, with prices starting at £179.95.

Fitzwilliam CD Combines CD Playback and Streaming

The Fitzwilliam CD is designed as a CD player and network source component for use with an existing amplifier or active loudspeakers.

It uses a slot-loading CD mechanism and supports CD, CD-R and CD-RW playback. Network features include Spotify Connect with Spotify Lossless, internet radio, podcasts, DAB/DAB+ and FM radio.

Bluetooth 5.2 is also supported, along with MP3 playback from USB storage devices of up to 128GB.

For system integration, the Fitzwilliam CD provides stereo RCA analog output together with optical and coaxial digital outputs, allowing it to be connected to an integrated amplifier, external DAC or compatible active speaker system. An RCA analog input and 3.5mm headphone output are also provided.

A 3.2-inch color display is fitted to the front panel, while control is available from the chassis, supplied remote handset or the OKTIV app.

Fitzwilliam AMP Adds 200W Class D Amplification

The Fitzwilliam AMP combines network streaming with an integrated amplifier.

It uses a Texas Instruments-based two-channel Class D amplifier rated at 200W total output. Spotify Connect and Spotify Lossless are supported alongside internet radio, podcasts, DAB/DAB+, FM, Bluetooth and USB MP3 playback.

Connectivity includes RCA analog input as well as optical and coaxial digital inputs. The amplifier also provides speaker outputs, an RCA pre-out and a 3.5mm headphone output.

Users can select preset EQ modes or make their own adjustments through the My EQ function, including bass, treble and loudness settings.

Fitzwilliam CD AMP Combines CD, Streaming and Amplification

The Fitzwilliam CD AMP is the most integrated model in the range.

It combines a 200W Class D amplifier with a tray-loading CD player, allowing a complete system to be built by simply adding a pair of passive loudspeakers.

The CD section supports CD, CD-R and CD-RW playback, while network and wireless functions include Spotify Lossless, internet radio, podcasts, DAB/DAB+, FM, Bluetooth and USB MP3 playback.

External sources can be connected through RCA, optical and coaxial inputs, while an RCA pre-out and headphone output are also included.

All three Fitzwilliam models use a traditional full-width hi-fi chassis measuring 43.5cm wide, 29.7cm deep and 7.4cm high.

Spotify Lossless Reaches More Affordable Hi-Fi Hardware

The most significant aspect of the Fitzwilliam range is not simply the combination of CD playback and streaming, but the fact that Spotify Lossless is now appearing in relatively inexpensive traditional hi-fi components.

Spotify Lossless is available to Premium subscribers at up to 24-bit/44.1kHz. On compatible third-party hardware, lossless playback can be delivered through Spotify Connect, although Spotify notes that not every Connect-enabled device supports Lossless.

That makes hardware compatibility increasingly important as Spotify expands lossless playback beyond phones, computers and premium network audio products.

The Fitzwilliam series combines the familiarity of physical CD playback with modern lossless streaming, offering users a straightforward way to use both formats within a conventional hi-fi system.

Pricing Starts at £179.95

The Fitzwilliam CD is priced at £179.95 in the UK and €199 in Europe.

The Fitzwilliam AMP is priced at £199.95 / €229, while the Fitzwilliam CD AMP costs £229.95 / €269.

All three models are now available in the UK and European markets.

Rather than targeting the high-end sector, the Fitzwilliam series focuses on combining traditional hi-fi system architecture with modern streaming convenience at an accessible price. Its support for Spotify Lossless is particularly notable, showing how lossless streaming is beginning to move beyond premium network players and into mainstream hi-fi components.

Meta Description: Majority has launched the Fitzwilliam CD, AMP and CD AMP, combining traditional hi-fi design with Spotify Lossless, CD playback and network streaming from £179.95.

2026년 September 7일
Ruark Revives the Talisman Speaker After 36 Years, Completing a New System with the R710 CD Console
British audio brand Ruark Audio is marking its 40th anniversary with a new hi-fi system that connects the company’s past with its present. Although Ruark has become widely known since the 2000s for its design-led all-in-one audio systems, the company originally began as a traditional British loudspeaker manufacturer in the 1980s. The new Talisman-R is a floorstanding loudspeaker that revives the Talisman name 36 years after the original model was introduced in 1990, while the new R710 CD Hi-Fi Console forms the electronics centerpiece of Ruark’s modern two-channel system.

The two products are also scheduled to be demonstrated together at the StereoNET UK Hi-Fi & AV Expo 2026, taking place September 12–13 at the Radisson RED Hotel at London Heathrow. Ruark plans to present the R710 and Talisman-R as a complete system at the event.

R710 CD Hi-Fi Console Brings the CD Player Back

The R710 is the new flagship model in Ruark’s 100 Series, combining a design inspired by 1970s hi-fi consoles with modern streaming and digital technology. It integrates a CD player, network streamer, DAC, MM phono stage and two-channel power amplifier into a single chassis.

The amplification stage uses Class D technology and delivers 200W per channel into 4Ω at 0.01% THD. Burr-Brown 32-bit/192kHz solutions are used for the DAC and ADC, with support for FLAC, AIFF, ALAC and WAV files at up to 32-bit/192kHz. MP3 playback is supported at up to 48kHz/320kbps and AAC at up to 96kHz/320kbps, while local files can also be played from UPnP/DLNA media servers and USB storage devices.

Streaming support includes Spotify Connect, TIDAL Connect and Qobuz Connect, alongside Apple AirPlay and Google Cast. Network connectivity is provided through dual-band Wi-Fi and wired Ethernet, while Bluetooth 5.1 supports aptX HD, AAC and SBC codecs.

Support for physical media is another major feature of the R710. A slot-loading CD mechanism is located behind the wooden slats on the front panel and supports Red Book CD-DA discs as well as CD-R. The RCA input also incorporates an MM phono stage, allowing a turntable with a moving-magnet cartridge to be connected directly without an external phono preamplifier.

For television connectivity, the R710 provides HDMI ARC/eARC as well as an optical digital input supporting PCM up to 24-bit/96kHz. Other connections include RCA line input, selectable line output/pre-out, mono subwoofer output, 3.5mm headphone output and USB-C. Speaker connections use gold-plated 4mm multi-way binding posts.

The front panel features a 6.8-inch color TFT display with automatic brightness adjustment, accompanied by Ruark’s signature RotoDial controller and a rechargeable wireless remote control. The main unit measures 375 × 105 × 310mm and weighs 6.6kg. UK pricing is £2,199, with sales targeted to begin in October.

The Return of the 1990 Talisman

The Talisman-R also carries particular significance in Ruark’s history. The original Talisman was introduced in 1990 and played an important role in establishing the company’s reputation, with its slim proportions and distinctive angled baffle. The new Talisman-R retains that visual identity while introducing newly developed drivers, enclosure construction and crossover design.

Original (1990) & Renewal (2026)

The speaker is a two-way bass-reflex floorstander using a 27mm silk-dome tweeter and a 165mm NS+ long-throw woofer. The tweeter employs a neodymium motor, while the woofer uses a treated fibre cone, a 35mm two-layer copper voice coil and a strontium ferrite motor system.

A newly developed decoupled front-baffle structure is also used. The driver-mounted baffle is mechanically isolated from the main cabinet through elastomer bushes and dual damping strips. Internal bracing and composite acoustic damping materials are employed to reduce cabinet resonances and standing waves. The 14.5-litre enclosure uses a dual-flared bass-reflex port tuned to 42Hz.

The crossover frequency is 2.2kHz, using second-order filters, audio-grade film capacitors and low-loss inductors. Frequency response is specified at 40Hz–22kHz under typical in-room conditions, with a sensitivity of 87dB/2.83V/1m. Nominal impedance is 6Ω, with a minimum impedance of 3.8Ω at 5kHz, while recommended amplifier power is 50–250W.

Each speaker measures 850 × 210 × 250mm and weighs 17.6kg. Dual gold-plated binding posts support both single-wiring and bi-wiring, and removable magnetic grilles are included. UK pricing is £1,499 per pair, with availability planned for September.

From All-in-One Audio Back to a Complete Hi-Fi System

What makes the combination of the R710 and Talisman-R particularly interesting is the way it reconnects Ruark with its own history. Founded in 1986, Ruark began as a specialist loudspeaker manufacturer before establishing a distinctive position in the radio and all-in-one audio market through its R Series. More recently, the company returned to passive loudspeakers with the Sabre-R, and the Talisman-R now revives the name of one of its best-known early floorstanding models.

The R710 also has more in common with a traditional hi-fi system than a conventional lifestyle audio product. It combines 200W × 2 amplification and passive loudspeaker outputs with an MM phono stage and CD player, while also integrating Spotify Connect, TIDAL Connect, Qobuz Connect, AirPlay and Google Cast. Paired with the Talisman-R, it allows an entire two-channel system—from source and amplification to loudspeakers—to be built exclusively from Ruark components.

Meanwhile, Ruark has also been rolling out a free OTA update for its 100 Series products, including the R410, R610, R710 and R810, adding Bluetooth headphone output. Up to six wireless Bluetooth devices can be paired, with headphone volume stored independently from the main system volume.

Key Specifications

Ruark R710 CD Hi-Fi Console
- Amplification: Class D
- Power output: 200W × 2 / 4Ω @ 0.01% THD
- Frequency response: 22Hz–22kHz +0/-3dB
- DAC/ADC: Burr-Brown 32-bit/192kHz
- Supported formats: FLAC, AIFF, ALAC, WAV up to 32-bit/192kHz
- Streaming: Spotify Connect, TIDAL Connect, Qobuz Connect
- Wireless streaming: Apple AirPlay, Google Cast
- Bluetooth: 5.1, aptX HD/AAC/SBC
- Network: Wi-Fi, 10/100Mbps Ethernet, UPnP/DLNA
- CD: Red Book CD-DA, CD-R
- Inputs: HDMI ARC/eARC, Optical, RCA Line, MM Phono, USB-C
- Outputs: Speaker, RCA Line/Pre-out, Subwoofer, 3.5mm Headphone
- Display: 6.8-inch color TFT
- Dimensions: 375 × 105 × 310mm
- Weight: 6.6kg
- Price: £2,199
- Expected availability: October 2026
Ruark Talisman-R
- Type: Two-way bass-reflex floorstanding loudspeaker
- Tweeter: 27mm silk dome, neodymium motor
- Woofer: 165mm Ruark NS+ long-throw
- Frequency response: 40Hz–22kHz, typical in-room
- Sensitivity: 87dB/2.83V/1m
- Nominal impedance: 6Ω
- Minimum impedance: 3.8Ω @ 5kHz
- Crossover: 2.2kHz, second-order
- Cabinet volume: 14.5L
- Port tuning: 42Hz
- Recommended amplifier power: 50–250W
- Dimensions: 850 × 210 × 250mm
- Weight: 17.6kg each
- Price: £1,499/pair
- Expected availability: September 2026
2026년 September 7일
McIntosh Unveils CS7500 Streaming Preamplifier
McIntosh has introduced the new CS7500 Streaming Preamplifier, combining network streaming with a full-featured analog preamplifier, DAC, phono stage and TV connectivity in a single chassis. It preserves the flexibility of a traditional separates-based hi-fi system while allowing one component to handle most analog and digital source duties.

McIntosh officially announced the CS7500 on August 26, 2026. As streamer, DAC and preamplifier combinations continue to establish themselves as a distinct category in high-end audio, the CS7500 represents McIntosh’s interpretation of this increasingly popular system architecture.

A McIntosh Preamplifier with Integrated Streaming

The defining feature of the CS7500 is the integration of network streaming directly into the preamplifier. It supports Qobuz Connect, Spotify Connect and TIDAL Connect, along with Apple AirPlay, Google Cast and Bluetooth. The unit is also both Roon Ready and Roon Tested.

Spotify Connect includes support for Spotify Lossless, while TIDAL Connect supports TIDAL Max. Music can therefore stream directly from the services to the CS7500 while a smartphone or tablet acts primarily as the controller, eliminating the need for a separate network transport in many systems.

Bluetooth connectivity supports AAC as well as Qualcomm aptX HD and aptX Adaptive, providing additional options for playback from mobile devices alongside wired and Wi-Fi network streaming.

The CS7500 is not an all-in-one amplifier with onboard power amplification. Instead, it combines the preamplifier, streamer and DAC while keeping the power amplifier separate. Owners remain free to choose the power amplifier and loudspeakers that best suit their system and upgrade them independently over time.

8-Channel 32-Bit Quad Balanced DAC

The digital section is built around McIntosh’s Quad Balanced 8-channel, 32-bit DAC architecture, using multiple DAC channels in a balanced configuration to achieve wide dynamic range and low distortion.

The USB input supports PCM up to 32-bit/384kHz, along with native DSD512 and DXD up to 384kHz. The coaxial and optical inputs support PCM up to 24-bit/192kHz, while McIntosh’s MCT connection handles 16-bit/44.1kHz from CD and DSD64 from SACD.

With six analog inputs and seven digital inputs in total, the CS7500 can serve as the central connection point for music servers, computers, disc transports, televisions and a wide range of other sources.

HDMI ARC Integrates TV Audio

The CS7500 also includes an HDMI ARC input, allowing a television to connect to the two-channel audio system through a single HDMI cable.

Dolby and DTS multichannel formats can be converted to two-channel audio, making it possible to reproduce movies, concert videos, sports and other television content through the main stereo system without requiring a separate AV receiver. The feature reinforces the CS7500’s role as more than a dedicated music streamer, extending its reach into the broader living-room entertainment system.

Six Analog Inputs and MM/MC Phono

Despite its extensive digital capabilities, the CS7500 remains a fully equipped analog preamplifier. Its six analog inputs consist of two balanced XLR connections, three unbalanced RCA inputs and a dedicated phono input.

The phono stage supports both moving-magnet and moving-coil cartridges, with selectable gain settings of 40, 46, 52, 58 and 64dB to accommodate cartridges with different output levels.

Outputs include two pairs of balanced variable outputs, two pairs of unbalanced variable outputs and one fixed unbalanced output. The second balanced and unbalanced variable outputs can be assigned to bass reinforcement, allowing the use of either a single subwoofer or a pair of stereo subwoofers in 2.1- or 2.2-channel systems.

A 6.35mm headphone output is also provided on the front panel and incorporates McIntosh’s HXD Headphone Crossfeed Director technology.

A Contemporary Interpretation of Classic McIntosh Design

The exterior retains the elements closely associated with McIntosh, including the black glass front panel, illuminated green logo, precision rotary controls and a pair of iconic blue meters.

The chassis introduces a more contemporary treatment. The lower section uses mirror-polished stainless steel, while the upper chassis is constructed from hairline-brushed black titanium stainless steel. Custom-machined brushed end caps and an elevated chassis design further distinguish the CS7500 from more traditional McIntosh components.

Dimensions are 444.5 × 152 × 432mm (W×H×D) and weight is approximately 11.3kg.

Designed to Become the Center of a Modern Separates System

The CS7500 reflects a broader change in high-end digital audio. Network transports, DACs and preamplifiers were traditionally purchased as separate components, but increasingly these functions are being consolidated while power amplification remains separate.

Rather than simply being a conventional preamplifier with streaming added, the CS7500 is effectively a system hub combining an analog preamplifier, network player, DAC, phono stage and HDMI interface. For existing McIntosh power amplifier owners in particular, it offers a way to add modern network playback without requiring separate streamer and DAC components.

The McIntosh CS7500 is priced at $12,500 in the United States and C$17,750 in Canada.

Specifications
- Type: 2-channel network streaming preamplifier
- DAC: Quad Balanced 8-channel, 32-bit DAC
- Streaming: Qobuz Connect, Spotify Connect, TIDAL Connect
- Network/Wireless: Apple AirPlay, Google Cast, Bluetooth
- Bluetooth codecs: AAC, aptX HD, aptX Adaptive
- Roon Ready / Roon Tested
- Analog inputs: XLR × 2, RCA × 3, MM/MC phono × 1
- Digital inputs: Coaxial × 2, Optical × 2, USB × 1, MCT × 1, HDMI ARC × 1
- USB: up to 32-bit/384kHz PCM, native DSD512, DXD 384kHz
- Coaxial/Optical: up to 24-bit/192kHz
- MCT: CD 16-bit/44.1kHz, SACD DSD64
- Analog outputs: Balanced Variable × 2, Unbalanced Variable × 2, Unbalanced Fixed × 1
- Phono gain: 40 / 46 / 52 / 58 / 64dB
- Headphone output: 6.35mm with HXD
- THD: 0.005%
- Frequency response: 20Hz–20kHz +0/-0.5dB, 15Hz–100kHz +0/-3dB
- Maximum output: Balanced 16Vrms / Unbalanced 8Vrms
- Dimensions: 444.5 × 152 × 432mm (W×H×D)
- Weight: 11.3kg
- U.S. price: $12,500
2026년 August 28일